http://gallery.kristinreger.com Kristin Reger Thu, 04 Apr 2013 04:54:26 +0000 http://gallery.kristinreger.com en http://gallery.kristinreger.com/PRINT http://gallery.kristinreger.com/following/gallery.kristinreger.com/PRINT Thu, 04 Apr 2013 04:54:26 +0000 Kristin Reger 287973 <img src="http://payload.cargocollective.com/1/0/24771/287973/4_TILED.jpg" width="670" height="433" width_o="1855" height_o="1200" src_o="http://payload.cargocollective.com/1/0/24771/287973/4_TILED_o.jpg" data-mid="1240812" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/287973/Tiled_2_KristinReger.jpg" width="670" height="433" width_o="1000" height_o="647" src_o="http://payload.cargocollective.com/1/0/24771/287973/Tiled_2_KristinReger_o.jpg" data-mid="1240833" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/287973/REGER_Kristin_StringOne_B_lowres.jpg" width="670" height="433" width_o="1500" height_o="971" src_o="http://payload.cargocollective.com/1/0/24771/287973/REGER_Kristin_StringOne_B_lowres_o.jpg" data-mid="1262813" border="0" align="left"/> standby... updating .... standby... updating .... http://gallery.kristinreger.com/crafttime http://gallery.kristinreger.com/following/gallery.kristinreger.com/crafttime Thu, 04 Apr 2013 04:48:17 +0000 Kristin Reger 5331147 Here's a bunch of other crap I made—just because I care about how EVERYTHING looks. Eat your heart out Martha Stuart. Like something? Have an idea? Drop me a line: hi@kristinreger.com I DO IT ALL! <img src="http://payload151.cargocollective.com/1/0/24771/5331147/Kristin Reger Metal Pillows.png" width="400" height="401" width_o="400" height_o="401" src_o="http://payload151.cargocollective.com/1/0/24771/5331147/Kristin Reger Metal Pillows_o.png" data-mid="28683907" border="0" align="left"/> Hand dyed fabric with African wax print piping and buttons. <img src="http://payload151.cargocollective.com/1/0/24771/5331147/Kristin Reger Ocean Pillows.png" width="400" height="360" width_o="400" height_o="360" src_o="http://payload151.cargocollective.com/1/0/24771/5331147/Kristin Reger Ocean Pillows_o.png" data-mid="28683908" border="0" align="left"/> Hand painted eyeball-wave fabric! <img src="http://payload151.cargocollective.com/1/0/24771/5331147/Kristin Reger Tigresa Notebook.png" width="400" height="404" width_o="400" height_o="404" src_o="http://payload151.cargocollective.com/1/0/24771/5331147/Kristin Reger Tigresa Notebook_o.png" data-mid="28683910" border="0" align="left"/> Very wild notebook. RAWR. <img src="http://payload151.cargocollective.com/1/0/24771/5331147/Kristin Reger Wrapping Paper.jpg" width="400" height="522" width_o="400" height_o="522" src_o="http://payload151.cargocollective.com/1/0/24771/5331147/Kristin Reger Wrapping Paper_o.jpg" data-mid="28684331" border="0" align="left"/> I make wrapping paper, wallpaper and fabric! These were made for Marigold Magazine, a craft magazine in San Francisco. See more on my PRINTS PAGE! <img src="http://payload151.cargocollective.com/1/0/24771/5331147/Kristin Reger Wreaths.jpg" width="670" height="241" width_o="720" height_o="259" src_o="http://payload151.cargocollective.com/1/0/24771/5331147/Kristin Reger Wreaths_o.jpg" data-mid="28683912" border="0" align="left"/> I've made about 50 of these! The first batch was entirely made of things I had laying around . . . including a giant rosemary bush! Legs the Xmas these on Bedford Ave. and at a pop up xmas thing, with the company of Tranny Claus and James Brown's Funky Christmas. Here's a bunch of other crap I made—just because I care about how EVERYTHING looks. Eat your heart out Martha Stuart. Like something? Have an idea? Drop me a... http://gallery.kristinreger.com/tesis http://gallery.kristinreger.com/following/gallery.kristinreger.com/tesis Mon, 01 Apr 2013 05:16:02 +0000 Kristin Reger 5305246 projections for i n s t a l a t i o n s <img src="http://payload150.cargocollective.com/1/0/24771/5305246/Kristin Reger Mock 1.jpg" width="400" height="299" width_o="400" height_o="299" src_o="http://payload150.cargocollective.com/1/0/24771/5305246/Kristin Reger Mock 1_o.jpg" data-mid="28544977" border="0" align="left"/><img src="http://payload150.cargocollective.com/1/0/24771/5305246/Kristin Reger Mock 1 Detail.jpg" width="400" height="750" width_o="400" height_o="750" src_o="http://payload150.cargocollective.com/1/0/24771/5305246/Kristin Reger Mock 1 Detail_o.jpg" data-mid="28544974" border="0" align="left"/><img src="http://payload150.cargocollective.com/1/0/24771/5305246/Kristin Reger Mock 2.jpg" width="400" height="480" width_o="400" height_o="480" src_o="http://payload150.cargocollective.com/1/0/24771/5305246/Kristin Reger Mock 2_o.jpg" data-mid="28544982" border="0" align="left"/><img src="http://payload150.cargocollective.com/1/0/24771/5305246/Kristin Reger Mock 2 Detail.png" width="400" height="582" width_o="400" height_o="582" src_o="http://payload150.cargocollective.com/1/0/24771/5305246/Kristin Reger Mock 2 Detail_o.png" data-mid="28544980" border="0" align="left"/><img src="http://payload150.cargocollective.com/1/0/24771/5305246/Kristin Reger Mock 3.jpg" width="400" height="300" width_o="400" height_o="300" src_o="http://payload150.cargocollective.com/1/0/24771/5305246/Kristin Reger Mock 3_o.jpg" data-mid="28544987" border="0" align="left"/><img src="http://payload150.cargocollective.com/1/0/24771/5305246/Kristin Reger Mock 3 Detail.png" width="400" height="340" width_o="400" height_o="340" src_o="http://payload150.cargocollective.com/1/0/24771/5305246/Kristin Reger Mock 3 Detail_o.png" data-mid="28544986" border="0" align="left"/> ▊ ▋ ▌ ▍ ▎ ▏▊ ▋ ▌ ▍ ▎ ▏▊ ▋ ▌ ▍ ▎ ▏▊ ▋ ▌ ▍ ▎ ▏▊ ▋ ▌ ▍ ▎ Bibliography // Fuentes de investigación ▸ ▹ ► Alberro, Alexander. Art after Conceptual Art. Cambridge: The MIT Press, 2006. Libro impreso. 240 páginas. ▸ ▹ ► Arnheim, Ruldolf. Art and Visual Perception. Berkeley: University of California Press, 2004. Libro impreso. 518 páginas. ▸ ▹ ► Arnold, Rebecca. Fashion: A Very Short Introduction. Oxford: Oxford University Press, 2009. Libro impreso. 144 páginas. ▸ ▹ ► Arredondo, Isabel. “Dress in Mexican Cinema”. 2007. Berg Fashion Library. Url del abstracto: http://www.bergfashionlibrary.com/view/bewdf/BEWDF-v2/ EDch2020.xml (versión impresa: Berg Encyclopedia of World Dress. Vol. 2. Joanne B. Eicher y Margo Blum Schevill, eds. Oxford, New York: Berg Publishers, 2011) ▸ ▹ ► --. “¿Toga griega o traje de Adelita?: Vestido y política en el cine mexicano de 1937,” Revista de Investigaciones Literarias y Culturales. no. 32 Vol. 17. Julio-diciembre 2009: 201-288. ▸ ▹ ► Arroyo, Leticia. Tintes naturales mexicanos: su aplicación en algodón, henequén y lana. México: Universidad Nacional Autónoma de México, Escuela Nacional de Artes Plásticas, 2008. Libro impreso. 183 páginas. ▸ ▹ ► Arts, Jos and Patrizia Calefato eds. Fashion and Imagination: About Clothes and Art. Leuven: Exhibitions International, 2010. Libro impreso. 413 páginas. ▸ ▹ ► Auther, Elissa. String, Felt, Thread: The Hierarchy of Art and Craft in American Art. Minneapolis: University of Minnesota Press, 2009. Libro impreso. 280 pages. ▸ ▹ ► Avital, Tsion. Art Versus Nonart: Art out of mind. 2003. Cambridge: Cambridge University Press, 2011. Libro impreso. 462 páginas. ▸ ▹ ► Bancroft, Allison. Fashion and Psychoanalysis: Styling the Self (International Library of Cultural Studies). Londres: I. B. Tauris, 2012. Libro impreso. 256 páginas. ▸ ▹ ► Barthes, Roland. The Language of Fashion. 1967. Traducido por Andy Stafford.Oxford, Nueva York: Berg Publishers, 2006. Libro impreso. 224 páginas. ▸ ▹ ► Barnard, Malcom. Fashion Theory: A Reader (Routledge Student Readers). Londres: Routledge, 2007. Libro impreso. 616 páginas. ▸ ▹ ► Brett, David. “Towards a Poetics of Workmanship”. Rethinking Decoration: Pleasure & Ideology in the Visual Arts. Cambridge: Cambridge University Press, 2005. páginas 222-232. ▸ ▹ ► Breward, Christopher. Fashion (Oxford History of Art). Nueva York: Oxford University Press USA, 2003. Libro impreso. 272 páginas. ▸ ▹ ► Brydon, Anne. Consuming Fashion: Adorning the Transnational Body (Dress, Body, Culture Series). Oxford, Nueva York: Berg Publishers, 1998. Libro impreso. 224 páginas. ▸ ▹ ► Cahn, Steve. Aesthetics: A Comprehensive Anthology (Blackwell Philosophy Anthologies) Hoboken: Wiley-Blackwell, 2007. Libro impreso. 704 páginas. ▸ ▹ ► Cárdenas, Julio Revolledo. 2004. La fabulosa historia del circo en México. Austin: University of Texas Press, 2007. Libro digital. 521 páginas ▸ ▹ ► Collins, Jane L. Threads: Gender, Labor, and Power in the Global Apparel Industry. Chicago: University of Chicago Press, 2003. Libro impreso. 221 páginas. ▸ ▹ ► English, Bonnie. A Cultural History of Fashion in the Twentieth Century: From the Catwalk to the Sidewalk. Oxford, Nueva York: Berg Publishers, 2007. Libro impreso. 224 páginas. ▸ ▹ ► Ewing, Elizabeth. Dress and Undress: A History of Women’s Underwear. Nueva York: Drama Book Specialists Publications, 1978. Libro impreso. 192 páginas. ▸ ▹ ► Freeland, Cynthia. But Is It Art?: An Introduction to Art Theory. Nueva York: Oxford University Press, USA, 2002. Libro impreso. 256 páginas. ▸ ▹ ► Gaimster, Julia. Visual Research Methods in Fashion. Oxford, Nueva York: Berg Publishers, 2011. Libro impreso. 352 páginas. ▸ ▹ ► Gallo, Ruben. Mexican Modernity: the Avant-Garde and the Technological Revolution. 2005. Cambridge: The MIT Press, 2010. Libro impreso. 280 páginas. ▸ ▹ ► --- ed. The Mexico City Reader (The Americas Series). Madison: University of Wisconsin Press, 2004. Libro impreso. 280 páginas. ▸ ▹ ► Geczy, Adam and Karaminas, Vicki (Editors). Fashion and Art. Oxford, Nueva York. Berg Publishers, 2012. Libro impreso. 224 páginas. ▸ ▹ ► Gonzalez, Ana Marta. Gender identities in a globalized world. Amherst: Humanity Books, 2008. Libro impreso. 340 páginas. ▸ ▹ ► ---. Identities Through Fashion: A Multidisciplinary Approach. Oxford, Nueva York: Berg Publishers, 2012. Libro impreso. 240 páginas. ▸ ▹ ► Gordon, Andrew. Fabricating Consumers: The Sewing Machine in Modern Japan. Berkeley: University of California Press, 2011. 304 páginas. ▸ ▹ ► Gordon, Beverly. Textiles: The Whole Story: Uses, Meanings, Significance. Nueva York: Thames & Hudson, 2011. Libro impreso. 304 páginas. ▸ ▹ ► Harold Koda. Extreme Beauty: The Body Transformed (Metropolitan Museum of Art Series). Nueva York: Metropolitan Museum of Art, 2004. Libro impreso. 192 páginas. ▸ ▹ ► Hauser, Arnold. The Social History of Art. Londres: Routledge, 1999. 1007 páginas. ▸ ▹ ► Hedley, Gwen. Drawn to Stitch: Line, Drawing, and Mark-Making in Textile Art. Loveland: Interweave Press, 2010. Libro impreso. 144 páginas. ▸ ▹ ► Hollander, Anne. Seeing Through Clothes. Fashioning Ourselves: An Intriguing New Look at Image-Making. Nueva York: Avon Books,1975. Libro impreso. 504 páginas. ▸ ▹ ► Kawamura, Yuniya. Doing Research in Fashion and Dress: An Introduction to Qualitative Methods. Oxford, Nueva York: Berg Publishers, 2011, 192 páginas. ▸ ▹ ► Leonhard Purdy, Daniel. Rise Of Fashion: A Reader. Publisher: Minneapolis: University of Minnesota Press, 2004. Libro impreso. 376 páginas. ▸ ▹ ► Lewis, Robert M., From Traveling Show to Vaudeville: Theatrical Spectacle in America, 1830-1910. Baltimore: The Johns Hopkins University Press, 2007. Libro impreso. 400 páginas. ▸ ▹ ► MacKrell, Alice. Art and Fashion: The Impact of Art on Fashion and Fashion on Art. Londres: Batsford, 2005. Libro impreso. 192 páginas. ▸ ▹ ► Norman, Donald A. Emotional Design: Why We Love (or Hate) Everyday Things. Nueva York: Basic Books, 2005. 272 páginas. ▸ ▹ ► Parker, Rozsika. “The Subversive Stitch. Embroidery and the Making of the Feminine: introduction to new edition”. The Textile Reader. Oxford, New York: Berg Publishers, 2012. ▸ ▹ ► Phipps, Elena. Cochineal Red: The Art History of a Color. Nueva York: Metropolitan Museum of Art, 2010. Libro impreso. 48 páginas. ▸ ▹ ► Rámirez, Catherine S. The Woman in the Zoot Suit: Gender, Nationalism, and the Cultural Politics of Memory. Durham: Duke University Press, 2009. Libro impreso. 256 páginas. ▸ ▹ ► Rieff Anawalt, Patricia. The Worldwide History of Dress. Nueva York: Thames & Hudson, 2007. Libro impreso. 608 páginas. ▸ ▹ ► Rodemann, Patricia A., Patterns in Interior Environments. Hoboken: Wiley,1999. Libro impreso. 272 páginas. ▸ ▹ ► Rossell, Daniela. Ricas y Famosas: México 1994-2001. Nashville:Turner, 2002. 176 páginas. ▸ ▹ ► Root, Regina A. ed. Latin American Fashion Reader (Dress, Body, Culture). Oxford, Nueva York: Berg Publishers, 2005. Libro impreso. 320 páginas. ▸ ▹ ► Sayer, Chloe. Costumes of Mexico. Austin: University of Texas Press,1985. Libro impreso. 240 páginas. Schechner, Richard. Performance Studies: An Introduction. Londres: Routledge, 2006. 368 páginas. ▸ ▹ ► Steele, Valerie. The Berg Companion to Fashion. Oxford, Nueva York: Berg Publishers, 2010. Libro impreso. 800 páginas. ▸ ▹ ► Stern, Radu. Against Fashion: Clothing as Art, 1850-1930 Cambridge: The MIT Press, 2005. Libro impreso. 368 páginas. ▸ ▹ ► Stiles, Kristine. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings (California Studies in the History of Art). Berkeley: University of California Press, 1996. Libro Impreso. 1003 páginas. ▸ ▹ ► Scott, Jac. Textile Perspectives in Mixed-Media Sculpture. Wiltshire: Crowood Press, 2003. Libro impreso. 160 páginas. ▸ ▹ ► Taylor, Diana, The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press, 2003. Libro impreso. 352 páginas. projections for i n s t a l a t i o n s ▊ ▋ ▌ ▍ ▎ ▏▊ ▋ ▌ ▍ ▎ ▏▊ ▋ ▌ ▍ ▎ ▏▊ ▋ ▌ ▍ ▎ ▏▊ ▋ ▌ ▍... http://gallery.kristinreger.com/los-happening-PERFORMANCE http://gallery.kristinreger.com/following/gallery.kristinreger.com/los-happening-PERFORMANCE Sun, 31 Mar 2013 06:12:23 +0000 Kristin Reger 4838688 These are events or happenings I've been invited to partake in. They are mostly performance-based, but include installation, demonstration, participation, portability, public practice . . . all sorts of fun stuff! ◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥ <img src="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Pattern Palace composite 3.jpg" width="670" height="291" width_o="700" height_o="305" src_o="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Pattern Palace composite 3_o.jpg" data-mid="28516165" border="0" align="left"/> Pattern Palace was part of the fabulous Fashion District Art Fair in Manhattan's Garment District. There, Brooklyn super-power Jeff Stark curated Artist Services, a one-stop-shop for actually useful things we artists can do for you. At the Pattern Palace, we used ICY HOT to transfer photocopied images to fabric. Ta-da! /// But why the 'stache? Textiles = ladyland, that is, until you get commercial. Learning of a cheap DIY production method–from a mustachioed young lady– can be an inspiring and challenging experience! ◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥ <img src="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Chairs on Crumb by Laura McMillian Left photo by Tristan Wheelock.jpg" width="670" height="235" width_o="700" height_o="246" src_o="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Chairs on Crumb by Laura McMillian Left photo by Tristan Wheelock_o.jpg" data-mid="28526383" border="0" align="left"/> Summer 2012 I assisted Laura McMillian with her installation CRUMB at the Boatel at Marina 59 in Far Rockaway, New York. What a blast! Aside from designing the Lingerie Lamp and Corny Courture Deck Chairs, I helped Laura out with happenings including two pop-up, floating restaurants dockside and remotely—in the center of Jamaica Bay (!). Photos here by Kevin Muth, Tristan Wheelock + yours truly. Check out the full project on Ms. McMillian's site, huntingplaid.com <img src="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Lamp on Crumb by Laura McMillian Right photo by Kevin Muth.jpg" width="670" height="432" width_o="700" height_o="452" src_o="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Lamp on Crumb by Laura McMillian Right photo by Kevin Muth_o.jpg" data-mid="28526271" border="0" align="left"/> ◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥ <img src="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Suitcase at ICA Boston.jpg" width="670" height="377" width_o="700" height_o="394" src_o="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Suitcase at ICA Boston_o.jpg" data-mid="28527742" border="0" align="left"/> Experiment America at ICA Boston. Twelve suitcases filled with surprises were given to museum goers to enjoy throughout the premises. Mine, the Insta-Installation, contained three portfolios filled with printed + dyed fabrics, drawings and fiber scraps along with the tools and instructions to install them anywhere. Curated by Mr. Jeff Stark. <img src="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Suitcase Installation at ICA Boston.jpg" width="670" height="355" width_o="700" height_o="371" src_o="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Suitcase Installation at ICA Boston_o.jpg" data-mid="28527875" border="0" align="left"/> ◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥ <img src="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger do or dye.jpg" width="670" height="260" width_o="700" height_o="272" src_o="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger do or dye_o.jpg" data-mid="28529145" border="0" align="left"/> The Do-or-Dye Lab opened its doors for Bushwick Open Studios in 2012 year where I taught visitors how to leave those rainbow Grateful Dead tees in college and really DYE — death metal style. ◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥ <img src="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Lecture UNAM.jpg" width="670" height="260" width_o="700" height_o="272" src_o="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Lecture UNAM_o.jpg" data-mid="28531469" border="0" align="left"/> I gave a lecture at UNAM in 2011 about representations of the body and clothing in illustration since the renaissance (IN SPANISH!) The commentary that actually made it past my nerves and through my accent sure had impact on the students . . . what response afterward! ◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥ <img src="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Snowdance.jpg" width="670" height="132" width_o="717" height_o="142" src_o="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Reger Snowdance_o.jpg" data-mid="28532112" border="0" align="left"/> Video stills from Snowdance, 2010. The very first time I started burying myself in and rolling around in fabric. ◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥ <img src="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Martha Performance composite Jenna Duffy.jpg" width="670" height="153" width_o="1146" height_o="263" src_o="http://payload126.cargocollective.com/1/0/24771/4838688/Kristin Martha Performance composite Jenna Duffy_o.jpg" data-mid="28516176" border="0" align="left"/> Way back in 2010 I performed another exorcism with my friend Martha. That's a bass clarinet, in case you are as confused as everyone else. ◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥◥ These are events or happenings I've been invited to partake in. They are mostly performance-based, but include installation, demonstration, participation,... http://gallery.kristinreger.com/upskirt http://gallery.kristinreger.com/following/gallery.kristinreger.com/upskirt Sun, 31 Mar 2013 05:11:39 +0000 Kristin Reger 4838700 Upskirt is an interactive, fibers-based installation by Kristin Reger and Laura McMillian. ▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽ Five giant dresses hang quietly in the gallery. Austere from the outside, each skirt conceals a fabric explosion within. <img src="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Laura McMillian Upskirt Exterior.jpg" width="500" height="334" width_o="500" height_o="334" src_o="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Laura McMillian Upskirt Exterior_o.jpg" data-mid="28515289" border="0" align="left"/> ▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽ Upskirt includes a interactive performance at the opening reception where five formal garçonsl lift up petticoats inviting gallery goers inside. The skirts are lowered around guests to allow them to privately absorb the internal worlds. <img src="http://payload126.cargocollective.com/1/0/24771/4838700/garcon.jpg" width="500" height="323" width_o="500" height_o="323" src_o="http://payload126.cargocollective.com/1/0/24771/4838700/garcon_o.jpg" data-mid="28515496" border="0" align="left"/> ▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽ Each interior is inspired by an environment that has traditionally fascinated artists, be it a natural occurrence – the Swamp, the Cave, the Sea – or a less tangible space – Outer Space, Hell on Earth. Here, these scenes are created with unconventional manipulations of fabric drawn from diverse printing and sculpture practices. Throughout the exibition, guests are invited to don gloves (available at reception) for a tactile experience of the dresses. CAVE. Interior view. Hand crocheted, machine knit, sewn, screen printed, dyed, quilted. (!) <img src="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Laura McMillian Upskirt Cave.jpg" width="500" height="667" width_o="500" height_o="667" src_o="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Laura McMillian Upskirt Cave_o.jpg" data-mid="28515273" border="0" align="left"/> CAVE. Screen printed two color yardage in progress. PRINT: Brooklyn Churches designed by Kristin Reger. <img src="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Upskirt Church Fabric 2.png" width="500" height="375" width_o="500" height_o="375" src_o="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Upskirt Church Fabric 2_o.png" data-mid="28515173" border="0" align="left"/> CAVE. Digital color mock for screenprinted fabric (glitter on vinyl). PRINT: Cave Pearls by Kristin Reger. <img src="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Upskirt Cave Pearl.png" width="500" height="352" width_o="500" height_o="352" src_o="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Upskirt Cave Pearl_o.png" data-mid="28515169" border="0" align="left"/> CAVE. Repeat design of Brooklyn Churches. <img src="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Upskirt Church Fabric 1.png" width="500" height="562" width_o="500" height_o="562" src_o="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Upskirt Church Fabric 1_o.png" data-mid="28515171" border="0" align="left"/> ▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽ SWAMP. Felted, crimped, sourced, screen printed, hand painted. <img src="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Laura McMillian Upskirt Swamp.jpg" width="500" height="620" width_o="500" height_o="620" src_o="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Laura McMillian Upskirt Swamp_o.jpg" data-mid="28515167" border="0" align="left"/> SWAMP. Mosquitos print designed by Kristin Reger. <img src="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Upskirt Mosquito Print copy.jpg" width="500" height="657" width_o="500" height_o="657" src_o="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Upskirt Mosquito Print copy_o.jpg" data-mid="28515174" border="0" align="left"/> SWAMP. Swamp Thang, two color screen print designed by Kristin Reger. Digital color mock up. <img src="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Upskirt Swamp Thang Print.jpg" width="500" height="357" width_o="500" height_o="357" src_o="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Upskirt Swamp Thang Print_o.jpg" data-mid="28515177" border="0" align="left"/> HELL. Interior view. Shibori, sublimation, stuffing, silk, demons, flames. <img src="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Laura McMillian Upskirt Hell.jpg" width="500" height="375" width_o="500" height_o="375" src_o="http://payload126.cargocollective.com/1/0/24771/4838700/Kristin Reger Laura McMillian Upskirt Hell_o.jpg" data-mid="28515166" border="0" align="left"/> HELL. See full Seven Sins drawings here. ▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽▼▲△▽ Upskirt is an interactive, fibers-based installation by Kristin Reger and Laura McMillian. ... http://gallery.kristinreger.com/southern-light http://gallery.kristinreger.com/following/gallery.kristinreger.com/southern-light Sat, 02 Mar 2013 16:38:52 +0000 Kristin Reger 443007 <img src="http://payload.cargocollective.com/1/0/24771/443007/KristinReger_SL028.jpg" width="620" height="806" width_o="620" height_o="806" src_o="http://payload.cargocollective.com/1/0/24771/443007/KristinReger_SL028_o.jpg" data-mid="4747462" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/443007/KristinReger_SL024.jpg" width="500" height="362" width_o="500" height_o="362" src_o="http://payload.cargocollective.com/1/0/24771/443007/KristinReger_SL024_o.jpg" data-mid="4706679" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/443007/KristinReger_SL025.jpg" width="500" height="774" width_o="500" height_o="774" src_o="http://payload.cargocollective.com/1/0/24771/443007/KristinReger_SL025_o.jpg" data-mid="4706680" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/443007/dfedificio_kristinreger_adj.jpg" width="450" height="567" width_o="450" height_o="567" src_o="http://payload.cargocollective.com/1/0/24771/443007/dfedificio_kristinreger_adj_o.jpg" data-mid="2106429" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/443007/vendedor1_adj.jpg" width="450" height="720" width_o="450" height_o="720" src_o="http://payload.cargocollective.com/1/0/24771/443007/vendedor1_adj_o.jpg" data-mid="1977685" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/443007/vendedor2_adj.jpg" width="450" height="720" width_o="450" height_o="720" src_o="http://payload.cargocollective.com/1/0/24771/443007/vendedor2_adj_o.jpg" data-mid="1977684" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/443007/KristinReger_SL026.jpg" width="500" height="686" width_o="500" height_o="686" src_o="http://payload.cargocollective.com/1/0/24771/443007/KristinReger_SL026_o.jpg" data-mid="4706681" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/443007/carmen_1_kristinreger_adj.jpg" width="450" height="823" width_o="450" height_o="823" src_o="http://payload.cargocollective.com/1/0/24771/443007/carmen_1_kristinreger_adj_o.jpg" data-mid="2106426" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/443007/tepoztlan_adj.jpg" width="670" height="251" width_o="700" height_o="263" src_o="http://payload.cargocollective.com/1/0/24771/443007/tepoztlan_adj_o.jpg" data-mid="1977687" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/443007/pachecon_adj.jpeg" width="450" height="720" width_o="450" height_o="720" src_o="http://payload.cargocollective.com/1/0/24771/443007/pachecon_adj_o.jpeg" data-mid="1977689" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/443007/flowerpot_adj.jpg" width="450" height="720" width_o="450" height_o="720" src_o="http://payload.cargocollective.com/1/0/24771/443007/flowerpot_adj_o.jpg" data-mid="1977691" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/443007/chivo_adj.jpg" width="450" height="720" width_o="450" height_o="720" src_o="http://payload.cargocollective.com/1/0/24771/443007/chivo_adj_o.jpg" data-mid="1977692" border="0" align="left"/> Mexico City, D.F. April & December 2010 Oaxaca, OAX April 2010 Mexico City, D.F. April & December 2010 Oaxaca, OAX April 2010 http://gallery.kristinreger.com/portraits-old-school http://gallery.kristinreger.com/following/gallery.kristinreger.com/portraits-old-school Sat, 02 Mar 2013 16:38:42 +0000 Kristin Reger 307708 <img src="http://payload.cargocollective.com/1/0/24771/307708/Tod(KristinReger)_web.jpg" width="400" height="619" width_o="400" height_o="619" src_o="http://payload.cargocollective.com/1/0/24771/307708/Tod(KristinReger)_web_o.jpg" data-mid="1331206" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/307708/Alance(KristinReger)_web.jpg" width="400" height="636" width_o="400" height_o="636" src_o="http://payload.cargocollective.com/1/0/24771/307708/Alance(KristinReger)_web_o.jpg" data-mid="1331205" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/307708/Agnes(KristinReger)_web.jpg" width="400" height="596" width_o="400" height_o="596" src_o="http://payload.cargocollective.com/1/0/24771/307708/Agnes(KristinReger)_web_o.jpg" data-mid="1331204" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/307708/Tabitha(KristinReger)_web.jpg" width="400" height="616" width_o="400" height_o="616" src_o="http://payload.cargocollective.com/1/0/24771/307708/Tabitha(KristinReger)_web_o.jpg" data-mid="1331207" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/307708/jozenda(KristinReger)_web.jpg" width="400" height="633" width_o="400" height_o="633" src_o="http://payload.cargocollective.com/1/0/24771/307708/jozenda(KristinReger)_web_o.jpg" data-mid="1331214" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/307708/shoval(KristinReger)_web.jpg" width="400" height="622" width_o="400" height_o="622" src_o="http://payload.cargocollective.com/1/0/24771/307708/shoval(KristinReger)_web_o.jpg" data-mid="1331212" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/307708/magnus_(KristinReger).jpg" width="400" height="623" width_o="400" height_o="623" src_o="http://payload.cargocollective.com/1/0/24771/307708/magnus_(KristinReger)_o.jpg" data-mid="1331237" border="0" align="left"/> http://gallery.kristinreger.com/bamboozled http://gallery.kristinreger.com/following/gallery.kristinreger.com/bamboozled Sat, 02 Mar 2013 16:38:34 +0000 Kristin Reger 343061 <img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_9.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_9_o.jpg" data-mid="1503374" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_3.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_3_o.jpg" data-mid="1503383" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_4.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_4_o.jpg" data-mid="1503361" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_1.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_1_o.jpg" data-mid="1503362" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_5.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_5_o.jpg" data-mid="1503365" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_15.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_15_o.jpg" data-mid="1503366" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_13.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_13_o.jpg" data-mid="1503373" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_18.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_18_o.jpg" data-mid="1503378" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_8.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_8_o.jpg" data-mid="1503379" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_2.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_2_o.jpg" data-mid="1503380" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_17.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_17_o.jpg" data-mid="1503386" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_18_11.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_18_11_o.jpg" data-mid="1503391" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_25.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_25_o.jpg" data-mid="1514579" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_24.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_24_o.jpg" data-mid="1514580" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_27.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_27_o.jpg" data-mid="1514582" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_22.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_22_o.jpg" data-mid="1514584" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_20.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_20_o.jpg" data-mid="1514585" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_26.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_26_o.jpg" data-mid="1514586" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_19.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_19_o.jpg" data-mid="1514587" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_48.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_48_o.jpg" data-mid="1525697" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_31.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_31_o.jpg" data-mid="1525700" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_50.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_50_o.jpg" data-mid="1525702" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_33.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_33_o.jpg" data-mid="1525703" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_40.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_40_o.jpg" data-mid="1525704" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_32.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_32_o.jpg" data-mid="1525710" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_28.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_28_o.jpg" data-mid="1525719" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_46.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_46_o.jpg" data-mid="1525724" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_39.jpg" width="288" height="443" width_o="288" height_o="443" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_39_o.jpg" data-mid="1525727" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_52.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_52_o.jpg" data-mid="1525729" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_41.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_41_o.jpg" data-mid="1525735" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_45.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_45_o.jpg" data-mid="1525736" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_30.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_30_o.jpg" data-mid="1525737" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_53.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_53_o.jpg" data-mid="1525739" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_54.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_54_o.jpg" data-mid="1525740" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_44.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_44_o.jpg" data-mid="1525742" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_51.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_51_o.jpg" data-mid="1525744" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_35.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_35_o.jpg" data-mid="1525746" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_47.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_47_o.jpg" data-mid="1525749" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_36.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_36_o.jpg" data-mid="1525750" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_38.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_38_o.jpg" data-mid="1525751" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_43.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_43_o.jpg" data-mid="1525752" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_37.jpg" width="288" height="440" width_o="288" height_o="440" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_37_o.jpg" data-mid="1525753" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_34.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_34_o.jpg" data-mid="1525755" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_29.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_29_o.jpg" data-mid="1525756" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_49.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_49_o.jpg" data-mid="1525758" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/343061/KReger_42.jpg" width="288" height="441" width_o="288" height_o="441" src_o="http://payload.cargocollective.com/1/0/24771/343061/KReger_42_o.jpg" data-mid="1525759" border="0" align="left"/> 50 something speed-designed prototypes to hide behind. Created, while I should have been doing my taxes, for the "bamboozled" show// magazine// project: 54 pieces of original signed artwork, put in a box, with other goodies made by artistés. all 4.25 by 6.5 inches Paper courtesy of Walnut Printing, LIC, xo 50 something speed-designed prototypes to hide behind. Created, while I should have been doing my taxes, for the "bamboozled" show// magazine// project: 54... http://gallery.kristinreger.com/otro-nudo http://gallery.kristinreger.com/following/gallery.kristinreger.com/otro-nudo Sat, 02 Mar 2013 16:38:33 +0000 Kristin Reger 285173 <img src="http://payload.cargocollective.com/1/0/24771/285173/2_Reger.JPG" width="670" height="502" width_o="2048" height_o="1536" src_o="http://payload.cargocollective.com/1/0/24771/285173/2_Reger_o.JPG" data-mid="11090229" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/285173/nudo-oscuro.jpg" width="670" height="502" width_o="864" height_o="648" src_o="http://payload.cargocollective.com/1/0/24771/285173/nudo-oscuro_o.jpg" data-mid="11090243" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/285173/6_Reger.jpg" width="670" height="421" width_o="1500" height_o="943" src_o="http://payload.cargocollective.com/1/0/24771/285173/6_Reger_o.jpg" data-mid="11090230" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/285173/7_Reger.jpg" width="670" height="971" width_o="1035" height_o="1500" src_o="http://payload.cargocollective.com/1/0/24771/285173/7_Reger_o.jpg" data-mid="11090231" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/0/24771/285173/KReger_PacificNorthwest.jpg" width="670" height="478" width_o="2048" height_o="1462" src_o="http://payload.cargocollective.com/1/0/24771/285173/KReger_PacificNorthwest_o.jpg" data-mid="1227877" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/285173/KReger_Hala.jpg" width="670" height="478" width_o="2048" height_o="1462" src_o="http://payload.cargocollective.com/1/0/24771/285173/KReger_Hala_o.jpg" data-mid="1227928" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/285173/KReger_PaisajeVolcanico.jpg" width="670" height="522" width_o="882" height_o="688" src_o="http://payload.cargocollective.com/1/0/24771/285173/KReger_PaisajeVolcanico_o.jpg" data-mid="1227919" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/285173/KReger_FangedForest.jpg" width="670" height="473" width_o="1800" height_o="1271" src_o="http://payload.cargocollective.com/1/0/24771/285173/KReger_FangedForest_o.jpg" data-mid="1227943" border="0" align="left"/> La Plata, Argentina April 2008 Pinto, dibujo, tiño, coso y uso técnicas de anudado para crear objetos abstractos decorativos. Experimento con materiales -cambiando las variables de superficie, pigmento, detalles y exhibición- para permitir que sus propiedades individuales guíen mi proceso creativo. Me esfuerzo por componer de manera rítmica, fluida y atractiva: un patrón imitativo, pero sin las estructuras geométricas rígidas comunes al arte decorativo tradicional. De ese modo, mi obra recorre las posibilidades de la decoración experimental, fuera de los tecnicismos y las trivialidades del diseño y su aplicación. Me interesa explorar y manipular el concepto de decoración a través de técnicas mixtas, el empleo de la línea y los patrones. Tomo ideas de la naturaleza, pero en áreas menos experimentadas. No imito sus formas, sino que las tengo en la mente al momento de trabajar; una estructura llena de posibilidades donde línea y forma encuentran su camino. Imaginación e intuición alimentan mi obra, y una profunda irreverencia por el material la mueve en direcciones desconocidas. Mientras trabajo libremente, mi experiencia en diseño grafico, en diseño de indumentaria y en arte textil se filtra en mis movimientos. Por acciones y reacciones instintivas, elementos del diseño aparecen esporádicamente. En definitiva, mi objetivo es entrecruzar los cables de los ojos y la mente para afectar la visión interior. Al hacer reflexionar al espectador, la obra funciona como una mancha de tinta y permanece en la mente, como un rompecabezas sin resolver. El proceso es una parte indispensable de mi obra. Esta energía cinética circula a través de ella. Viene en olas y ráfagas, y oscila entre el control completo y la ingravidez total. -------------------------------------------------------------------- I paint, draw, dye, sew and use binding techniques to create decorative abstracts. I experiment with materials- changing up the variables of surface, pigment, embellishment and display- to allow their individual properties to guide my creative processes. I strive for a moving, rhythmic, and engaging composition: one mimicking pattern, but lacking the rigid geometrical structures common to traditional decorative art. In this way, my art explores the possibilities of experimental decoration outside of the technicalities and pleasantries of design and application. I am interested in exploring and manipulating the notion of decoration through mixed techniques, linework, and patterns. I take inspiration from obscure areas of nature, but do not imitate their forms. Rather, I keep them in mind as a loose structure of possibilities and let line and form carve meandering paths. Imagination and intuition fuel my work, and an inherent irreverence for materials propels it in unknown directions. While working liberally, my experience with graphic design, fashion design and textile arts has filtered into my movements. Through instinctive actions and responses, design systems appear spontaniously. Ultimately, my goal is to cross the wires of the eyes & mind to affect the minds eye. By having the viewer ponder what s/he sees, the work functions as an inkblot, and stays with the mind as an undetermined puzzle of recognition. Process is so much a part of my work, and this kinetic energy transfers through. It comes in waves and spurts, and wavers between complete control and utter weightlessness. La Plata, Argentina April 2008 Pinto, dibujo, tiño, coso y uso técnicas de anudado para crear objetos abstractos decorativos. Experimento con materiales... http://gallery.kristinreger.com/wallpapers http://gallery.kristinreger.com/following/gallery.kristinreger.com/wallpapers Sat, 02 Mar 2013 16:38:30 +0000 Kristin Reger 979522 <img src="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_1_S.jpg" width="670" height="502" width_o="800" height_o="600" src_o="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_1_S_o.jpg" data-mid="4701808" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_2_S.jpg" width="670" height="502" width_o="800" height_o="600" src_o="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_2_S_o.jpg" data-mid="4701812" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_4_S.jpg" width="670" height="502" width_o="800" height_o="600" src_o="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_4_S_o.jpg" data-mid="4701815" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_5_S.jpg" width="670" height="502" width_o="800" height_o="600" src_o="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_5_S_o.jpg" data-mid="4701822" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_6_S.jpg" width="670" height="502" width_o="800" height_o="600" src_o="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_6_S_o.jpg" data-mid="4701827" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_9_S.jpg" width="670" height="502" width_o="800" height_o="600" src_o="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_9_S_o.jpg" data-mid="5205903" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_10_S.jpg" width="670" height="502" width_o="800" height_o="600" src_o="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_10_S_o.jpg" data-mid="5205905" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_11_S.jpg" width="670" height="502" width_o="800" height_o="600" src_o="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_11_S_o.jpg" data-mid="5205907" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_7_S.jpg" width="670" height="502" width_o="800" height_o="600" src_o="http://payload.cargocollective.com/1/0/24771/979522/Wallpaper_7_S_o.jpg" data-mid="4701828" border="0" align="left"/> Featured on patternpeople.org. Copyright Kristin Reger 2011. For your desktop. email for more sizes / licensing inquiries Featured on patternpeople.org. Copyright Kristin Reger 2011. For your desktop. email for more sizes / licensing inquiries